Michele’s oil landscape paintings include both plein air and studio works.
Showing all 7 results
$625.00 – $725.00
Big Sur Morning
In the spring, I go on retreat with several of my painting friends to an area close to Big Sur. From this location, we are able to get an early start painting and catch the light coming up over the mountains to the east. This painting was made in the early morning with the sun lighting parts of the Bixby Bridge on highway one as it travels along the coast to Big Sur. – mh
$1,950.00 – $2,100.00
“On my way to visit Local Color in Big Sur and replace paintings that have sold from there, Rich and I often plan a hike somewhere along the coast. On one of our visits, we hiked out to the beaches at Andrew Molera State Park. We took the high trail, a new one for us. Part way along stood an old log cabin amongst tall eucalyptus trees.
“After about a mile, we climbed to a vantage point above the sea. Further along the coast, and looking North, was a quiet stretch of beach. In the foreground were many colors of wild flowers, including the wild golden achillias which so complement the blues in the sea. The sky was clear, so the ocean had patches of turquoise which so describe this part of the California Coast. The light sand makes for clear water near the shore.
“This beach is fenced off so getting close was not an option. I took several photos that I later used as references for this painting.”
Sale!$790.00 – $890.00
Oil on canvas, 12″ x 16″ painting, with frame 18″ x 22″.
Hidden in the Santa Lucia Mountains, a bit coastwise from Jolon, resides one of the lesser known California Missions – Mission San Antonio de Padua. On a bluff nearby was built The Hacienda, designed by Julia Morgan for Randolph Hearst as a hunting lodge. The Hacienda was donated as a gift to the government and is now on the grounds of Fort Hunter Liggett. I’ve twice made painting trips there, staying at the Hacienda, which requires advanced planning and proper documentation to enter the Fort. Below the Hacienda and in front of the recently restored Mission, lies a meadow carpeted in the spring with blue Lupine and orange California Poppies. Hacienda Lupine is my interpretation of this peaceful place, freshened by a recent spring mist. – mh
$1,050.00 – $1,200.00
Light on the Slough
“California’s Pacific Ocean coastline is dotted with sloughs and estuaries of the many rivers and creeks which wash out to the sea. These often brackish bodies of water provide habitat for a myriad of plants and creatures. Along the Pajaro Valley in Watsonville CA, are many sloughs. This location offered a view of the farmland beyond. It is home to many birds. (The Spanish name for bird is Pajaro.)
“In this particular spot, I was attracted to the light on the trees as the sun set to the west, casting shadows and streaks of warm light. I included a blue heron in the painting, one of my favorites among the graceful birds that inhabit the area.” – mh
$785.00 – $885.00
One day there was a break in the rain and the sun appeared through the clouds. The Sea turned a luminous shade of green. I painted feverishly to capture the moment. This location is close to a favorite surf spot on the East side of Santa Cruz called Pleasure Point. – mh
$795.00 – $895.00
“I am fortunate to live close to the Pacific Ocean and protected areas along the coast. A favorite itinerary of visitors to the area is to take a ride along 17 Mile Drive in Pebble Beach. ‘Pacific Edge’ was painted at a pull off along this route.
“The waves were large this day and the tide was high. Off shore rocks broke the waves, creating cascades of ocean spray into the sky. An intriguing home sits on the bluffs overlooking the sea. The blue of the sky and ocean are complemented by the gold cliffs leading down to the sea.”
$1,200.00 – $1,325.00
“One autumn, while visiting Yosemite National Park, I set up my easel to paint the reflections of Half Dome in the Merced River. When I had almost completed the painting, a black bear came snuffling along the far side of the river. I grabbed my camera and took several pictures. Richard came to help me pack up just then, and we decided a fast exit was in order as the bear looked our way.
This painting was created in my studio soon after, from my memories and from photos.“